POP1 – Part 3

THE PRACTICE OF PAINTING PART 3 

PORTRAIT AND FIGURE

Start date December 2015

PROJECT: Observing the human figure

linear-figure-final-low-res

tonal-brie-low-resExercise: Drawing the human figure

Exercise: Linear figure study

Exercise: Tonal figure study (1)

Exercise: Tonal figure study (2)

PROJECT Looking at faces

Research point: Do some research into artists’ self portraits…

Exercise: Self portrait

tracy-emin-final-low-resExercise: Head and shoulder portrait

Research point: Find some portraits that convey a distinctive mood or atmosphere rather than simply a physical likeness…

 

richard2-final-acrylic-low rescharacter-othello-low-resExercise: Creating mood and atmosphere

Exercise: Conveying character

 

 

figure-interior-final-low resiranian-hunger-strikers final-low resPROJECT  People in context

Exercise: A figure in an interior

Research point Look at some paintings of figures in interiors from different periods…

Exercise: Telling a story (prep) | Telling a story (final painting)

ASSIGNMENT THREE

cameron-study-red-low-rescameron-fina-low-resResearch | Preparation | Final painting

 

 

 

 

VISITS AND DISCOVERIES

kore2reflectionA mooch around the Minories

You and me, Calais 2015 – exhibition by Elda Abramson

Magnificent Collections, Sainsbury Centre for the Visual Arts, Norwich

Discovery: Portrait artist Jonathan Yeo

Nearly visit to the Jerwood Gallery

Zen drawing and ink painting workshop

SKETCHBOOK EXPLORATION

kayla2 kayla1Sketchbook figures – exploring line and tone

 

 

 

Othello-Adrian LesterRichardII-2Sketchbook Shakespeare

Sketchbook Shakespeare 2 – Richard II

 

 

TUTOR FEEDBACK

Tutor report with my comments (PDF)

 

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Sketchbook photographic magazines (cross referenced from Part 4 which I before Part 3)

Sketchbook Umbria – votive figures (cross referenced from Part 4)

Pencil portraits (cross referenced from Part 4)

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