Points of view – Robin Hood’s Hut

hut-view-photoThe view from Robin Hood’s Hut, on the top of a hillside near Goathurst in Somerset is spectacular. It is also a classic example how what the eye sees is very different to the flattened view of the camera. I spent hours and hours on this terrace at all times of the day and night, watching, drawing, listening,  taking it in. The view changed constantly with the light, the shifting clouds, descending mist and nightfall. It was a really wonderful opportunity to observe from dawn until dusk, over my muesli in the morning and glass of dry white at night!

I interpreted the brief to suit the location and drew a series of different viewpoints (not necessarily turning 90 degrees) using different materials and focusing on different aspects. Some drawings are better than others but all help to give me a sense of what works best and the direction to take.

hut-view-drawing-with-brush-ink

A4 sketchbook drawing with brush and ink

 

My first take, drawn with brush and very wet ink, and probably my favourite because I feel it captures what I was seeing directly in front of me – fields, trees and hedgerows often shrouded in a light diffusing mist. But is it a drawing or a painting?!

 

 

hut-view-ink-wet

Ink, bamboo pen and brush (A4 sketchbook)

Turning to the left and focusing on the group of trees. The hard lines created as the wet ink has dried make marks which are pleasing to me. Perhaps the trees could be shifted down to reduce the foreground and allow for a little more sky / distant view?

 

 

hut-view-pencils-washed

Coloured pencils, scrubbed with water (A4 sketchbook)

 

Same viewpoint to above but much less successful.  I felt the this drawing with pencils was too vibrant, lacking subtlety so I scrubbed it with water a little too vigorously!

 

 

 

hut-view-pencil

Pencil and ink wash (sketchbook)

Viewpoint to the right. using pencil and ink wash. This enabled me to show more foreground detail and reproduce the lines / textures of the fields some of which had just been harvested and others that were ploughed. I like the gentle lines of the landscape. This would be a better composition if the hut was positioned a little more to one side. A bit neat and proper!

 

hut-view-masking-tape-line-experiment

Pencil and ink wash, masking tape torn roughly to create lines with soft edges

 

An experiment with different ways to reproduce the foreground using masking tape with torn edges and strong pencil lines in the spaces between. Interesting…

 

 

 

Ink, bamboo pen and brush, making tape, washed with bleach (A4 sketchbook)

Ink, bamboo pen and brush, making tape, washed with bleach (A4 sketchbook)

An attempt to use the masking tape technique for the foreground. I feel the foreground doesn’t  match the rest of the picture. However, I like the overall feeling of mistiness created by the bleach. I shifted the hut to the right which works.

 

 

 

hut-view-ink

Ink, bamboo pen and brush (A4 sketchbook)

 

Same viewpoint later in the evening, without the hut, foreground drawn with bamboo pen. An exercise in aerial perspective.

 

 

 

 

 

 

photo-view-large-gesso-graphite-conte

Pencil, Conte pencils and crayon, gesso (A4 sketchbook)

Later back at home I found a photo by Bob Small in the The Times of  the Mendip Hills. The photo had a lot of the misty landscape elements that I had observed and this drawing is taken from a section. The way I used the pencil was too harsh and the shiny contrast of the graphite with the matt Conté pencils looks odd at certain angles. I did not capture the mist well but I do find myself intrigued and excited about how gesso can be used to prime the paper and create texture and atmosphere.

 

 

 

 

hut-view-conte-gesso

Conte crayons and gesso (A4 sketchbook)

Inspired by the gesso, I went back to one of my earlier Robin Hood’s Hut viewpoints to see how gesso might help to create the lines and textures of the foreground fields. Interesting outcome – the drawing has atmosphere but because of the way I have drawn the gesso lines it seem to be raining in the top half of the picture but not the bottom. I’m concluding that gesso is a good thing but needs to be planned in advance and applied carefully. Having said that, this is one of my favourite sketches so far. Maybe there should a be a hut or other feature but I like the simple layers and lines.

I feel I’ve completed a fairly thorough exploration with these exercises and it has certainly filled me with ideas that I feel confident and excited about developing further. Finally, I am in my stride!

 

 

 

 

 

 

 

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s